He constructs a sense of identity, social composition, and subject in the drama, or constructs a bridge to connect the two different creations; and his construction is through the participation of the audience and the questioning of values. A part of democracy, it can be said that what he is pursuing is a civic theater. Text: Chen Yici When I met Huang Dingyun, it was the day after the performance of "Crazy Exercise", and the post-performance discussion took place two days later. We asked Huang.
Dingyun why he did not choose to hold it after phone database the performance. After all, the audience had a heated discussion, and there was obviously such a demand; but Huang Dingyun said that he hoped that everyone would settle for a few days before discussing it, which showed an interesting thing: his enthusiasm for the audience High expectations. He has no intention of being a scholar, but he is very much like a scholar: the interactive performances and the discussions after the precipitation all show that drama has become a field for him to explore/cultivate the humanities. 1_Rb_wuwzpQ8QBJx7RAs8HKg Photo Credit: © Zhao Peirong During the interview,
Huang Dingyun most often showed a contemplative expression Society is the stacking and fusion of values But this does not mean that Huang Dingyun thinks he is in a higher position. On the contrary, because of his gay status, he was especially able to feel alienated from the group from an early age. He has mentioned in other interviews that he is "very good". I think that "good" may be a protective color, and his incompatibility with the group makes him sensitively aware of the hidden class gap: outsiders, disadvantaged, comrades, psychosomatic patients , in this seemingly diverse and integrated island, burdened with unseen, unclean pressure.